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The Blind Spot: An Essay on the Relations between Painting and Sculpture in the Modern Age by Jacqueline Lichtenstein Translation by Chris Miller
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Copyright Title

The Blind Spot: An Essay on the Relations between Painting and Sculpture in the Modern Age by Jacqueline Lichtenstein Translation by Chris Miller

Status

Published

on 23 Jul 2008
Year of Creation
2008
Copyright Claimant
J. Paul Getty Trust
Registration Number
TX0006870007
on 23 Jul 2008

Copyright Summary


The U.S. Copyright record (Registration Number: TX0006870007) dated 23 Jul 2008, pertains to an electronic file (eService) titled "The Blind Spot: An Essay on the Relations between Painting and Sculpture in the Modern Age by Jacqueline Lichtenstein Translation by Chris Miller" created in 2008. The copyright holder is J. Paul Getty Trust, known for their creative contributions in text registration. For any inquiries concerning this copyrighted material, kindly reach out to J. Paul Getty Trust.

Copyright Details


Copyright Claimant
J. Paul Getty Trust

Application Details


Registration Number
TX0006870007
Registration Date
7/23/2008
Year of Creation
2008
Agency Marc Code
DLC-CO
Record Status
New
Corporate Author
J. Paul Getty Trust
Physical Description
Book, 215 p
First Publication Nation
United States
ISBN
978-0-89236-892-1
Preexisting Material
Artwork and photographs by other sources, original French text (La tache aveugle: Essai sur les relations de la peinture et de la sculpture a l'age moderne by Jacqueline Lichtenstein)

Corporate Authors


Notes


Local Copyright Note: C.O. correspondence
Material Matter Claimed Note: some new text, translation, photograph reproduction for figures 5 and 20, compilation, editing

Statements


Application Title Statement: The Blind Spot: An Essay on the Relations between Painting and Sculpture in the Modern Age by Jacqueline Lichtenstein Translation by Chris Miller
Author Statement: J. Paul Getty Trust employer for hire Domicile: United States Citizenship: United States Authorship: some new text, translation, photograph reproduction for figures 5 and 20, compilation, editing
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